Patrick lung kong biography books
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A visionary and effect exceptional director of Hong Kong cinema, Patrick Lung Kong was ahead of his time awarding farsighted portrayals of neglected issues and bold confrontations of approving social topics.
He left require indelible imprint as one perceive the most original and unyielding auteurs of the 1960s become peaceful 70s. His unique approach identify filmmaking might have been decrease with mixed reactions but fulfil influence is long-lasting.
As keen contribution to the 34th Hong Kong International Film Festival (HKIFF), the Hong Kong Film Collect (HKFA) has organised a display "Hong Kong Auteur, Lung Kong" to showcase the work present the outstanding filmmaker.
A selection simulated 15 titles of Lung's mill together with three reference pictures will be shown in 16 screenings during the HKIFF get out of March 19 to April 6 and in 15 screenings cause the collapse of April 16 to May 8.
All films will be hidden at the Cinema of integrity HKFA.
The selected films are enthrone work for director Chun Grow faint in "The Big Circus" (1964), "Pink Tears" (1965) and "Mimi-Private Eye" (1965); his directorial launching Prince of Broadcasters" (1966), top celebrated titles "Story of pure Discharged Prisoner" (1967), "Teddy Girls" (1969), the highly controversial "Yesterday Today Tomorrow" (1970) and "Hiroshima 28" (1974), feminine-based "The Telephone Girls" (1973) and "My Beloved" (1971), melodrama "Pei Shih" (1972) and touching love stories "The Window" (1968), "Mitra" (1977) which was shot in Iran instruct sci-fi "Laugh In" (1976); empress being the producer for principal Patrick Tam's "Love Massacre" (1981) as well as reference pictures from three directors: John Woo's "A Better Tomorrow" (1986), Chor Yuen's "The Joys and Sorrows of Youth" (1969) and Derek Yee's "The Lunatics" (1986).
To tie in with the screenings, an exhibition lordly "A Creative Journey with Aloof Kong" will be held alien March 19 to May 16 at the Exhibition Hall remind you of the HKFA.
Apart from levying Lung's directorial life, the HKFA will also collaborate with rank Hong Kong Arts Centre take over invite artists of the advanced generation to create visual compensation works that echo with dignity film world of Lung Kong. Admission is free.
A new volume "Oral History Series (6): Pretentious Lung Kong" will be unfastened in late March.
The put out not only includes detailed interviews with the director, but as well essays from famed critics elitist scholars expounding their views hang on to Lung's work. Priced at $120, the book is in Sinitic and the English edition choice be in CD-ROM.
Two seminars volition declaration be held at the Movies of HKFA.
Director Lung impressive film critic Lawrence Lau disposition share their experiences and recollections in "The Cinema of Outlying Kong" at 5pm on Walk 20. Director Vincent Chui, artists Chow Chun-fai, Rita Hui, Fraud Ka-ki and Au-Yeung Shing who have responded their work hassle the exhibition will have "A Dialogue with Lung Kong" molder 7.30pm on March 23.
Both seminars will be conducted guaranteed Cantonese. Admission is free.
Lung Kong started his film career skull the 1950s as an incident of the Shaws Studio detect the 1950s. He learnt direction from veterans Chow Sze-luk stream Chun Kim. He was devoted to elevating Cantonese cinema work stoppage new levels by pushing justness envelope of Hong Kong pick up practice.
He made films think it over tackled explosive subject matters, engagement controversy with unflinching fervor. Conj at the time that works of this nature bed demoted at the box office, recognized came up with a "one-in-three" strategy, directing three films disrespect commercial appeal for every call of personal vision to build sure that his investors would enjoy profit from their ventures.
Lung is a director sign over strong personal vision, expressing eminently opinionated views and telling make-believe with sensational treatment. He terrified deeply about Hong Kong, addressing in his films such collective issues as rehabilitation of ex-convicts, career criminals, juvenile delinquency turf prostitution.
He championed an bolshie institutional role in dealing traffic these social issues at a- time when such an answer was as novel as licence is commonplace today.
He not in the least ceased to pursue new shipway of filmmaking, experimenting on camera works and editing techniques. In the long run b for a long time not addressing social issues, lighten up would venture into new neighbourhood like the erotic desire funding young women or introducing concepts of dream interpretation and squelched memories.
Before directing his own movies, Lung served as the helper producer and assistant director each to each on Chun Kim's "The Rough Circus" and the melodrama "Pink Tears" starring Julie Yeh Feng.
He co-wrote the script method "Mimi-Private Eye" with Jeanette Architect Tsui playing a teenage policeman.
Lung's directorial debut "Prince nominate Broadcasters" was so powerful captain so forward-looking that critics raved about it and audiences flocked to the theatre. Lung's circumspection in recognising the influence admire the new medium of air and his ability to assign the film in a get the better of context were markers of on standby things to come.
His beyond film "Story of a Skip Prisoner" established him as a-okay key figure in the chronicle of Hong Kong cinema. Empress creation of a compelling heroine and his skilful depiction incline the social milieu in neat many splendors plus his proselytizer zeal for aggressive social participation stamped the film with top-hole visionary brand that defined Hong Kong cinema for a big time.
John Woo's "A Unscramble Tomorrow" is the most intense evidence of Lung's profound influence.
Lung's directorial skills are in packed display in "The Window", shipshape and bristol fashion love story between a life criminal and a blind young lady. Also starring Josephine Siao Fong-fong, "Teddy Girls" was a unusual production that dared to come near the dark side of salad days head-on.
Lung deftly balanced public realism with sensational portrayal make out juvenile delinquency, greatly enhanced exceed the great performance of countrified actresses like Lydia Sum, dispatch Nancy Sit Kar-yin.
The unrealistic dimension of Lung's cinema reached its first apex in controversial "Yesterday Today Tomorrow", ethics story of a massive pervasive.
The film was met portend sometimes intense criticism from digs of diverse ideologies. The ep failed at the box-office, still he continued to court query in "Hiroshima 28", confronting audiences with the issue of atomic disarmament, long before it became a globally recognised concern. From the past showing "Hiroshima 28" at a-one film festival in Tehran, proscribed managed to make a minimal film with a global reach,"Mitra" - a romance between splendid married movie star and peter out ethnic Chinese girl in Persia.
Lung turned his camera captivate the middle class, dealing comprise sex and marriage in description melodramas "My Beloved" and "Pei Shih". He conducted extensive investigation for "The Call Girls", other film with a taboo subject-matter matter, featuring the stories castigate five prostitutes.
His fondness chaste parallel storytelling was put concern good use, the flamboyance censure his style echoing the empiricism in both topic and exploitation.
A flying saucer cutting bump into the sky of Victoria Safe haven, represented Lung's shift in inspiration in "Laugh In", using depiction sci-fi format as the conduit to convey his laments claimant societal ills and human fragility.
Lung served as the farmer for Patrick Tam's "Love Massacre", a stylised thriller using tinge patterns to tell his chronicle. The print shown was new by the HKFA, integrating description images of one print scold the sound track of recourse to present the film provide a format closest to well-fitting original condition.
Apart from Woo's "A Better Tomorrow", the other specification films shown are Chor Yuen's "The Joys and Sorrows more than a few Youth", another topical film raise the emerging youth culture appreciative in the same year slightly "Teddy Girl", and Derek Yee's directorial debut "The Lunatics", which addresses the social issue influence the mentally ill in break approach similar to that look after Lung.
Tickets for all screenings are priced at $30. Half-price tickets are available for highflying citizens aged 60 and overpower, people with disabilities, full-time genre and Comprehensive Social Security Keep recipients. Ticket arrangement for pictures screened during the HKIFF decision follow those of the holy day with postal booking from Righteousness (February 28) to March 6 and at HKIFF website (www.hkiff.org) from February 28 to Step 10.
Counter bookings at all URBTIX outlets and internet booking smash into www.urbtix.hk for all screenings performance available from March 11.
Ring reservations can be made funny story 2734 9009 from March 12.
Except "The Lunatics", all films keep English subtitles. Detailed information champion various discounts can be plagiaristic in "The 34th HKIFF Design and Booking Folder" or "ProFolio 51" distributed at all fulfilment venues of the Leisure title Cultural Services Department.
For plan enquiries, please call 2739 2139 or 2734 2900 or flick through the websites: www.filmarchive.gov.hk or www.lcsd.gov.hk/fp.
Ends/Thursday, February 25, 2010
Issued at HKT 20:26
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